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Join us for premiere of Frankie Bouchier’s “The Sun” video on the last night of winter!

Officially we’ve announced the release for of Frankie Bouchier‘s The Sun for September 1st, to celebrate the arrival of Spring
But we’d like ‘The Sun’ to rise for you on the evening of August 31st at 8:00pm.
Join us for the Sun’s official Premiere- just for you ‘The Sun’ will rise at night- A rare phenomenon indeed.
Crank up the volume and throw yourselves on the biggest screen you can find.
Please send the link to all your friends (https://youtu.be/4_rkuUjF6Bw) for the premiere of ‘The Sun’.

St Novä Scene, Beck journeys with “Prairie Pass”

Philip Beckett “Beck” started his public musical career as a member of Australian Indie darlings Popular Mechanics in 1978, releasing an EP and single before moving on to Samarai Trash. The Trash played the Sydney Pub circuits, releasing 3 singles with Virgin Records (Come Out and Play, Tell Me and Samurai Stomp) the original band went its separate ways in 1986 with version 2 continuing for some time after. Samarai Trash played melodic tunes with influences from folk to funk, rock to reggae, and the catchy pulsing rhythms still underpin Beck’s latest offering “Prairie Pass”. The band played a reunion show at the Annandale in 2017.

Scroll forward to the ’90s where Beck recorded his solo work under the name St Novä Scene, including the original Prairie Pass recording, which was lost to the world when the Underfoot Records studio burnt down, flash forward to 2020, technology & a touch of magic have salvaged the recordings for release. The bird has finally landed in the right place at the right time.

Single & video landed April 2nd, 2021, check them out here: https://ffm.to/prairiepass

 

blue sky with a young man in a black polo neck jumper whos head is in a glass ball refracting.

Frankie Bouchier’s star is rising with “The Sun”

Sydney, based indie singer-songwriter, Frankie Bouchier weaves evocative stories with sound. As a classically trained multi-instrumentalist, Frankie is equally at home balancing a trumpet on his lips or his fingers on the keys. Frankie’s unique brand of indie synth-pop, soars with a drama that is counterbalanced by hook rich harmonies and grounded rhythms. His soundscape reflects a soup of musical influences ranging from the guttural Balkan brass beats of Eastern Europe and the sweeping melodies of traditional Romani music to the psychedelic rock of the ’60s woven with the synch stylings of the ’70s.

“Sound is language, it crosses borders and cultures, the communication possibilities are boundless. I love to listen, I love to make sounds. It begins as an inner conversation and once expressed and recorded there’s the possibility of reaching outside yourself and connecting to others” (FB)

Frankie has been developing a body of work with Underfoot producer Mic. Hardwick over the last three years. “In our first session”, says Hardwick, “I heard such thoughtfulness, intrigue and vision, unlike anything else exactly, delightfully familiar yet quite distinct. Frankie’s songs somehow speak to the core humanity within us all, soulful and full of surprises.”

“The Sun” Frankie Bouchier’s debut single is an enigmatic ride, like early Pink Floyd with Syd Barrett having slipped through a dimensional tear to 2021, a witty and disquieting journey that combines elements of eastern surrealism and catchy beats. Imagine if you will, an Edward Gorey book as a musical soundscape.

Whilst a new face in the indie-pop scene, Frankie has performed alongside Broadway greats such as Patti LuPone, the Voice favourite, Darren Percival, and multiple shows and performances inside Sydney’s iconic Opera House. His sonorous voice saw him as a featured creature in the majestic Lumiphonic Creature Choir, and performances with Pacific Opera in their Young Artists Program 2020. Frankie also spends time as a support worker, musician, and actor for the not-for-profit theatre company Midnight Feast – (Theatre that Unites, an inclusive organisation offering actors with disabilities professional performance opportunities.)

In his final term at the Conservatorium of Music in Sydney, November 2020 sees the launch of his own creations. ‘The Sun’ is Frankie’s debut single, having signed to Underfoot Records earlier this year. There is something timeless in this song, joyful playfulness, an effervescent charm that balances strong musicality with the hooks of modern pop.

Unapologetically original “The Sun’ will be available for all to stream on 20-11-20.

https://ffm.to/frankiebouchierthesun

A talent with Voice, Heart, and Soul…please welcome Frankie Bouchier to the stage…

Seeder’s Funny Looking Babies reborn

Seeder’s first studio album ‘Funny Looking Babies’ is reborn and available to stream.

A tasty grafting of musical roots, Seeder live is a punchy, raw 3-piece outfit of Bass, Drums and Guitar. This album features Mic.Hardwick as the lead vocal, with Nico Nelson on skins, and the fast-fingered bass hands of Dave Blennerhassett. Together they craft a rhythm section that beds down Seeder’s unique vocal style. This 11 song offering explores life, asylum, ego and hope. Old school indie rock grounded in rich layers of earthy groove. Featured artists on the album include internationally renowned trumpet player Don Raider on Flugel Horn and Clayton Doley on Hammond Organ.

Like many a hardy native species, Seeder has lurked underground waiting for just the right blend of heat, compost and chaos to launch. 2020 has delivered all that in spades. So stamp your feet and kick up the dust, coz the dance of life begins and ends in the dirt.

Listen to Funny Looking Babies on your favourite streaming service.

DBH Release date announcement

Fifty Two Mondays exploring life love and being with Dave Blennerhassett

Fifty Two Mondays, Dave Blennerhassett’s studio album is finally available to stream on 16 October 2020 on Spotify or your favourite streaming platform. 

Born and raised in New Zealand’s windy Wellington, singer/songwriter Dave Blennerhassett now calls Sydney’s Northern Beaches home, which means we can claim him as an Australian gem, like Crowded House, Pavlova and Phar Lap!

If you haven’t listened to the album yet, Fifty Two Mondays delivers a potent package of pathos and humour, moving easily through catchy melodic hooks, bedded down by carefully crafted rhythms. His lyrics explore the changing landscapes of life, love & being.

Recorded over fifty-two Mondays with friend, producer and long time collaborator, Underfoot Records’ Mic Hardwick, the collection will draw you in – poignant, evocative and musically rich.

Add it to your playlist, become a follower and listen on endless repeat. It’s a beautiful song. Enjoy with a good glass of red – and then tell all your friends.

 

woman with red hair signing contract with young man in 20s with a dog looking up in admiration between them

We are thrilled to have Frankie Bouchier sign to the Underfoot Records

We are thrilled to have Frankie Bouchier sign to the Underfoot Records label- a rare mix of creative talent and a genuinely lovely human being.  Bonus!
Frankie has been exploring his songwriting with MicHardwick at our studios since leaving Glenaeon Rudolf Steiner School to study at the Sydney Conservatorium of Music, The University of Sydney.
His unique pop sensibilities are definitely enriched by his classical training, though Mic. says each session can be like working with an entire frickin’ orchestra!

Enjoy the fruits of love: Seeder releases ‘Funny Looking Babies’

Seeder’s first studio album ‘Funny Looking Babies’ is reborn and available to stream this Friday.

A tasty grafting of musical roots, Seeder live is a punchy, raw 3-piece outfit of Bass, Drums and Guitar. This album features Mic.Hardwick as the lead vocal, with Nico Nelson on skins, and the fast fingered bass hands of Dave Blennerhassett. Together they craft a rhythm section that beds down Seeder’s unique vocal style. This 11 song offering explores life, asylum, ego and hope. Old school indie rock grounded in rich layers of earthy groove. Featured artists on the album include internationally renowned trumpet player Don Raider on Flugel Horn and Clayton Doley on Hammond Organ.

Like many a hardy native species, Seeder has lurked underground waiting for just the right blend of heat, compost and chaos to launch. 2020 has delivered all that in spades. So stamp your feet and kick up the dust, coz the dance of life begins and ends in the dirt.

When we are generous in small, barely detectable ways it can change someone else’s life forever…*

Underfoot Records launched the first in its live studio series the “Underfoot Sessions” with Annie Higgin’s “Wise Woman” a song lionizing the everyday woman, making brave choices on a daily basis, juggling work, kids, their hearts and dreams whilst rising to the challenges of each new day.

“Wise Woman” marks the first song recorded in the ‘Underfoot Sessions’ Live Space. Performed hours before Sydney went into lock down – Annie Higgins and Joseph Calderazzo created this acoustic version of her song ‘Wise Woman” and we captured their magic.

Listen to Annie’s single Wise Woman here

*quote by Margaret Cho

Blah Blah Blah help you recall 1989 with a re-release of “Remember”

The recordings for “Remember” were made in the heady months of 1989, a time when young egos were blazing, and the Mullet was yet to be given a name.  After a feature spot on Andrew Denton’s show, it seemed all was possible and the call from Countdown imminent.

Yet days before final artwork approvals Blah Blah Blah imploded, and differences were declared unreconcilable. Without Snapchat to document the emotional carnage, the ear candy of that late-night, cheap rate recording sessions, with girlfriends, mothers, and way too much of everything was shelved and thought forever lost after a fire destroyed Underfoot Studios.

Then miraculously, like a phoenix in an old brown Globite suitcase, those original master tapes were unearthed. Cleaned and baked the recordings were recovered, the collection, with all their quirky SFX song links, have finally been released and old bandmates reconnected.

We think the songs on “Remember- The Producer’s Cut” remain relevant, and in a few cases have become more meaningful as world events caught up with Brett Power’s lyric insight.

The songs were co-produced for Underfoot Records by the band and Brett Coupland of Bandit Audio, who also engineered. Recorded in the legendary Mr “Bad Habits” Billy Fields’ “Paradise Studio”, with overdubs at Col Joy’s “Glebe Studios”, and the final mix created beachside at Ian Mason’s beautiful “Music Farm” in Byron Bay.

The band line-up for these sessions was:

Brett Power: Vocals, Guitar
Mina Motu: Drums, Vocals, Guitar
Michael Hardwick: Bass, Vocals
Sam Shine: Lead Guitar
De Davis: Backing Vocals
Lisa Morgan: Backing Vocals

Brett Coupland: Sound Engineer

Remastered by Michael Hardwick for a new millennium, step back into the political soundscape of Sydney in the 80s, and enjoy the sounds here.

Blah Blah Blah’s Hot Little Democracy Sausage From The Fiery BBQ’s Of Underfoot Records.

“Vote For Us” a high energy musical antidote for the endless repeats of political mudslinging. The animated video by celebrated Australian political cartoonist Matt Bisset-Johnson spotlights the May 2019 Australian Federal Elections, complete with dancing Koalas and caricatures of the most controversial candidates. Blah Blah Blah’s song, “Vote For Us” could be transposed as the anthem for disillusioned voters, anywhere in the globe – Democracy why hast though forsaken us?

About the band:

Blah Blah Blah lived in Sydney in late 1984, growing a loyal following across the thriving Sydney/Wollongong pub scene, until they imploded in 1991. The debut single, Changing Times, was released on vinyl in 1985, followed by the cult classics The Bob Hawke Walk and Nuclear Warships, both receiving love, support and airplay on national radio station Double J.

Blah Blah Blah’s music was strangely quirky, often irreverently satirical, infectious indie rock.

The lyrics penned mostly by Brett Power were in many ways ahead of their time – speaking to climate change, combative politics and social injustice. In 1987 the ABC music program “Beatbox” made The Blahs “Band of the Week”, which gave rise to the recording of “Suburban Suburb Syndrome” and the creation of a film-clip for said song by the ABC team.

In 1988 Andrew Denton aired his first TV series, he called it “The Blah Blah Blah Show”. After a little name owning negotiation, The Blahs were invited to write the theme song, do a live performance and on the last episode of the first series, the infamous marriage episode, Blah Bass player Mic. Hardwick was interviewed. It all seemed rosy for the band- but truth be told the “The Blah Blah Blah Show”, and the coincidence of Iggy Pop’s album of the day being called “Blah Blah Blah”, confused the waters.

“Vote for Us” was recorded in 1989 at Paradise Studios for the album “Remember”. The band imploded shortly after the completion of the project, at the time, irreconcilable. As a result, these recordings, were never properly released. Despite new lineup attempts the band never really recovered, they stopped playing shows and the recordings were shelved. Thought lost when fire ravaged the Underfoot Studios in 1999. It turned out years later that a few tape masters were salvageable. The original tapes were baked and given one last chance for life in the digital world before crumbling away to tape heaven. Now remastered and, in some cases, edited for this 2019 release the ghost of Blah Blah Blah returns to spread its irreverence across your airwaves.