Category Archives: Blah Blah Blah

Blah Blah Blah help you recall 1989 with a re-release of “Remember”

The recordings for “Remember” were made in the heady months of 1989, a time when young egos were blazing, and the Mullet was yet to be given a name.  After a feature spot on Andrew Denton’s show, it seemed all was possible and the call from Countdown imminent.

Yet days before final artwork approvals Blah Blah Blah imploded, and differences were declared unreconcilable. Without Snapchat to document the emotional carnage, the ear candy of that late-night, cheap rate recording sessions, with girlfriends, mothers, and way too much of everything was shelved and thought forever lost after a fire destroyed Underfoot Studios.

Then miraculously, like a phoenix in an old brown Globite suitcase, those original master tapes were unearthed. Cleaned and baked the recordings were recovered, the collection, with all their quirky SFX song links, have finally been released and old bandmates reconnected.

We think the songs on “Remember- The Producer’s Cut” remain relevant, and in a few cases have become more meaningful as world events caught up with Brett Power’s lyric insight.

The songs were co-produced for Underfoot Records by the band and Brett Coupland of Bandit Audio, who also engineered. Recorded in the legendary Mr “Bad Habits” Billy Fields’ “Paradise Studio”, with overdubs at Col Joy’s “Glebe Studios”, and the final mix created beachside at Ian Mason’s beautiful “Music Farm” in Byron Bay.

The band line-up for these sessions was:

Brett Power: Vocals, Guitar
Mina Motu: Drums, Vocals, Guitar
Michael Hardwick: Bass, Vocals
Sam Shine: Lead Guitar
De Davis: Backing Vocals
Lisa Morgan: Backing Vocals

Brett Coupland: Sound Engineer

Remastered by Michael Hardwick for a new millennium, step back into the political soundscape of Sydney in the 80s, and enjoy the sounds here.

Blah Blah Blah’s Hot Little Democracy Sausage From The Fiery BBQ’s Of Underfoot Records.

“Vote For Us” a high energy musical antidote for the endless repeats of political mudslinging. The animated video by celebrated Australian political cartoonist Matt Bisset-Johnson spotlights the May 2019 Australian Federal Elections, complete with dancing Koalas and caricatures of the most controversial candidates. Blah Blah Blah’s song, “Vote For Us” could be transposed as the anthem for disillusioned voters, anywhere in the globe – Democracy why hast though forsaken us?

About the band:

Blah Blah Blah lived in Sydney in late 1984, growing a loyal following across the thriving Sydney/Wollongong pub scene, until they imploded in 1991. The debut single, Changing Times, was released on vinyl in 1985, followed by the cult classics The Bob Hawke Walk and Nuclear Warships, both receiving love, support and airplay on national radio station Double J.

Blah Blah Blah’s music was strangely quirky, often irreverently satirical, infectious indie rock.

The lyrics penned mostly by Brett Power were in many ways ahead of their time – speaking to climate change, combative politics and social injustice. In 1987 the ABC music program “Beatbox” made The Blahs “Band of the Week”, which gave rise to the recording of “Suburban Suburb Syndrome” and the creation of a film-clip for said song by the ABC team.

In 1988 Andrew Denton aired his first TV series, he called it “The Blah Blah Blah Show”. After a little name owning negotiation, The Blahs were invited to write the theme song, do a live performance and on the last episode of the first series, the infamous marriage episode, Blah Bass player Mic. Hardwick was interviewed. It all seemed rosy for the band- but truth be told the “The Blah Blah Blah Show”, and the coincidence of Iggy Pop’s album of the day being called “Blah Blah Blah”, confused the waters.

“Vote for Us” was recorded in 1989 at Paradise Studios for the album “Remember”. The band imploded shortly after the completion of the project, at the time, irreconcilable. As a result, these recordings, were never properly released. Despite new lineup attempts the band never really recovered, they stopped playing shows and the recordings were shelved. Thought lost when fire ravaged the Underfoot Studios in 1999. It turned out years later that a few tape masters were salvageable. The original tapes were baked and given one last chance for life in the digital world before crumbling away to tape heaven. Now remastered and, in some cases, edited for this 2019 release the ghost of Blah Blah Blah returns to spread its irreverence across your airwaves.