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Music Producer Mic.Hardwick points satirical finger at Trump

Musician and record producer Mic Hardwick has launched a stinging musical attack on US President Donald Trump and his brand of tweeting politics. His parody song, Agent Orange, released on April 1, features a music video by respected Melbourne animation artist Matt Bissett-Johnson. Agent Orange, is a not so subtle dig at the political style of the current POTUS.

Hardwick, known around the Sydney music scene for his individual style and passionate idealism, says the idea for the song emerged at a dinner party where people were talking politics and he referred to Trump as Agent Orange.

“As time went on, I heard other people referring to him the same way, including rapper Eminem, which I thought was kind of cool. Good synchronicity”

Agent Orange features a canary, harking back to the caged bird used in the coal mines in days past, a distressed canary was an early warning. “A canary popped into my mind, all that tweeting, it never stops calling out ‘danger, danger’, so can it be trusted? I don’t use the word Trump anywhere in the song, but it’s hard to miss the subject matter.”

Hardwick with his long-time partner Deanne, operate Sydney based record label Underfoot Records where Agent Orange was produced and recorded. The April 1 release date is a bit of a nod to the way they feel about the American President. Perhaps more than merely an April Fool;

This is not Hardwick’s first musical dalliance with global politics. The song writer was on the receiving end of an angry tirade when his anti-war song Iraq Attack drew the ire of supporters of both George Bush Senior and Junior. Should he brace for the same kind of response from Trumpeteers, who tend not to respond well to criticism or jest?

Mic. Hardwick’s musical career began as the bass player with Blah Blah Blah who performed around the Sydney pub scene in the mid-1980s, gaining notoriety and recognition before a spinal tap implosion in the late 90’s on the eve of their first album release.

Undeterred and committed to independence, Hardwick realised early on in his career that he preferred to discover musical pathways of his own. “I simply wasn’t that great at playing other people’s songs” he says with a wry smile. Similarly, he was really only interested in producing original music, and has crafted Underfoot Studios, a unique audio facility that blends old school valve sounds with digital technology.

Hardwick is also known as the co-founder of Club Acoustica, a series of curated music evenings, offering the acoustic presentation of original music. The idea blossomed and chapters developed across Australia. Begun in 1998 and credited at the time for the renaissance of acoustic music in Sydney, performers like Sarah Blasko, Jeff Duff, The Beautiful Girls, Lyn Bowtell and Luke O’Shea, Club Acoustica graced the stages. Club Acoustica ran for over a decade with the Web archives now held at the National Film & Sound Archives of Australia.

Keen to understand music in all its intricate forms, he has developed a unique style. His lyrics and music reflect his idealism and embody the experience of loss, love, madness and pleasure. Singer/songwriter and producer, a creator, a seeker, a man who maintains a passionately spiritual individualism.

Aspyre Release Collision

Aspyre’s music plays on the edges of digital and analogue sound, with a unique primal groove. Heavily influenced by the likes of PliniAnimals as LeadersKarnivool and Tesseract, they bring the structures and rhythms of progressive metal into the sonic world of electronica. Atmospheric pads combine dark riffs with melodic synth lines and soaring guitar solos, creating intensely visual instrumental music  in their new single “Collison”.

Zachary Meagher and Mateus Brandão ignited the fires of Aspyre one memorable afternoon in 2011. Initially a side project, dabbled with when no-one else turned up for band practice! Fascinated by the possibility of recreating the energy of rock and metal in a computer, they consumed the sounds of the emerging mainstream dubstep scene, shamelessly attempting to recreate the sounds of Skrillex and Feed Me. The lack of appropriate software and recording equipment (not to mention the initial lack of technical know-how to use either) led the two boys to learn, experiment and begin a journey of musical discovery, which they hope you  will join them in.

 

AIR Awards in Adelaide, or should that be Radelaide?

After the overwhelming success of last year, Indie-Con Australia took place  on July 26th and 27th,  held in conjunction with this year’s AIR Awards in Australia’s UNESCO City of Music, Adelaide,  thanks to support from the South Australian Government, and Underfoot Records were there, getting our groove on and listening to speakers that were  illuminating and inspiring, highlights included closing keynote from Hoodoo Gurus’ Dave Faulkner and long time manager Michael McMartin, Dom Alessio speaking from his new found home at Sounds Australia, Victoria’s new Music Development Office GM and Artist Manager – Bonnie Dalton, Spotify’s Tom Mee and Alicia Sbrugnera, and Andy Mak and Adalita teaming up with their Publishers Matt Tanner and Linda Bosidis.

2018 AIR Awards ceremony and official after-party, the conference tied in with Adelaide’s Umbrella: Winter City Sounds and Scouted, so much to see and do in Radelaide, and  Deanne &  Michael Hardwick were  spotted on the red Carpet, and  cant wait til next years conference.

Seeder’s Testimony to Love

“Testimony” is a love ballad, it isn’t going to be on the album, no one wanted to shelve the recording, instead the band were in favour of letting it stand alone, a simple single to get things rolling again.

Penned by Mic Hardwick, in the wayback machine. The original recording and film clip were made possible by the collaborative energies of creative friends. Recorded, videoed to tape, pre-internet, the clip was never “officially” released; it sat forlornly on the shelf, though Underfoot Records did eventually slip it on YouTube a while back. Years passed, life danced somersaults with time and our dreams, bands changed, the world changed and Michael decided to rework his love song with his new band Seeder, and, when the final album selection was made, Testimony didn’t make the cut.  Not because no one liked it, it simply didn’t fit sonically with the other songs. So it was sent out on it’s own, dropping into sound streams in Underfoot’s February Love Bomb, free at last.

Michael wrote Testimony shortly after he and Deanne were married, it has journeyed with them for 32 years. Often requested by friends at shows and often sung along with by the audience. There’s something warm, simple and genuine about it that definitely appeals, particularly when played live., and as Deanne will admit it’s cool to have a song written for you. It tickles her when she hears him play it. Yet it also makes her wonder if it’s about her anymore? Is that “girl De” still in here, perhaps camouflaged under the wrinkles? Apparently she can still flash the affronted Red-Headed Dagger look of her youth, which still makes Michael laugh at her, she proffers “and that still infuriates me and that still melts the fury. Many Sunday afternoons later here we both are, still on the grass. We’ve raised a family and buried parents, we still hold hands when we go walking, and we still giggle when our cold feet meet in the dark under the sheets. We are a witness to each other’s lives, for better and for worse, nobody knows me as well as him, and he’s my best friend.”

The Latin root of Testimony is “witness”, as in an eyewitness testimony. A solemn declaration of fact with a hand on the bible and one on the heart, the “I swear” with no fingers crossed. The heart doesn’t lie; perhaps the odd hormonal rush confuses it at times, but it means well. In many ways when you get to know Michael Hardwick, you can see this song as his foundation; it’s at the root of him, love and family first. It’s his Testimony, so this piece of him has to be out there for the rest of his songs to follow. In a panel interview on the iconic Blah Blah Blah Show back in 1988, Michael joked with Andrew Denton about marriage and how much it meant to him. So perhaps Testimony Version 2 is like a renewal of their vows. Worth doing simply for themselves and also to affirm to friends and family and the great “out there” that long-term love is possible. It’s worth trying for, it is worthwhile, and it can stay vital and juicy, and it seems like a breath ago that it all began. Thirty years on Michael and Deanne are still married, their hearts do stand as Testimony. They are connected like old vines with deep roots, sweet fruit and so many memories. “Testimony” mark 2 has now evolved into family creation, this time around one of the offspring shot and edited the music video, and that feels so cool.

Listen Out – Incoming Love bombs from Underfoot Records

Underfoot Records Love Bomb incoming! Four Underfoot Artists released music into the global music ocean on Valentines Day. Spreading love to make up for all the hate in the world.

Love filled bliss bombs, to lift spirits and delight body and soul. We’ve assembled a spotify  playlist  for the occasion, feel free to add  a love song or two, one that gets you feeling all loved up. Because “what the world needs now is love sweet love…….”

Singles included in the release are Seeder’s “Testimony”, Annie Higgins’ “Silence”, Dave Blennerhassett’s “Sea of Love” and Gene Maynard Band’s “Flirting with Mischief.” Share the love

Back on Track-Underfoot Launch

Hallelujah and other exclamations of relief and delight could be heard amongst the invited guests at the Underfoot Launch Party. The 2015 Moontime diary declared that May 23rd was a “great evening to perform or entertain…all creative endeavours are favoured now”! Who could argue with that?

Like a Phoenix from the literal ashes, Underfoot Records is back in business after the fire that decimated spirits and destroyed recording masters 15 years ago. At the invitation only House Party the Underfoot Team welcomed friends and family at what turned into a fabulous extended celebration. After stunning performances from each of the Underfoot artists there was a “For the Camera” contract signing and universal Champagne consumption.  Special thanks to friendly and complimentary neighbours who chose to sit on their balconies and enjoy the songs. With the  Launch the new Underfoot Records website went live-  marked with the long awaited release of 3 singles from  Dave Blennerhassett‘s album Fifty Two Mondays.  A full photo exposé can be found in the gallery,  (Thanks Lani Tupu).  So three cheers for Underfoot and all who sail in her. (Damn Auto correct changed “sail” to “soil”- lucky the edits happened without Champagne)

Here are a few pics of the event, See the full range here